SOME GIRLS AND TATTOO YOU REWORKED 11CD (Wonderland)

SOME GIRLS ALBUM TRACKS
1. Miss You #1 1’57 (OBR) - instrumental

Boulogne Billancourt, Pathé Marconi Studios 10.10-29.11 & 6-15.12 1977

2. Miss You #2 11’55 (DAC 117) - very long, early vocals

 

3. Miss You #3 7’34 (DAC 106) - without sax and harmonica

 

4. Miss You #4 8’48 (DAC 097) - extended version of III, with sax and harmonica

 

5. When The Whip Comes Down #1 10’09 (DAC 114) - early lyrics, no backing vocalsand intro from Vigotone 12

Boulogne-Billancourt, Pathé Marconi Studios 5-29.1-Feb.-.2.3 1978

6. When The Whip Comes Down #2 10’07 (DAC 097) - additional backing vocals and pedal steel guitar

 

7. When The Whip Comes Down #3 6’19 (DAC 097) - shortened version II

 

8. Just My Imagination #1 6’23 (ACT 17-01) - run-through, without organ

see 1

9. Just My Imagination #2 2’52 (OBR) - run-through, with hammond organ and lots of improvised lyrics)

see 1

10. Just My Imagination #3 6’55 (DAC 097) - basic track with all instruments & backing vocals; "look through my window" version

 see 1

11. Just My Imagination #4 6’40 (DAC 097) - final unedited track

 see 1

 

Total time: 79'43

1. Some Girls #1a 5’12 (King Kong Production KKP 02) - primitive version

Boulogne Billancourt, Pathé Marconi Studios 10.10-29.11 & 6-15.12 1977

2. Some Girls #1b 6’33 (DAC 106) - long version with extra guitars and harmonica and a spoken part at the end)              

 

3. Lies #1 4’43 (ACT 17-10) - with guide vocals, three guitars incl. one slide guitar

 

4. Lies #2 3’41 (ACT 17-03) - with guide vocals, two guitars plus one pedal steel

 

5. Lies #3 4’16 (DAC 114) - three guitars, very early lyrics ("why?")

 

6. Lies #4 3’46 (DAC 114) - early version with "ts ts" microphone-check before count in

 

7. Lies #5 3’56 (DAC 106) - extended of version #6

Boulogne-Billancourt, Pathé Marconi Studios 5-29.1-Feb.-.2.3 1978

8. Far Away Eyes #1 5’09 (DAC 114) - early lead vocals, no backing vocals

see 1

9. Far Away Eyes #2 5’21 (DAC 097) - finished vocals, different pedal steel solo

see 7

10. Respectable #1 3’54 (DAC 114) - very early, with count in

see 1

11. Respectable #2 3’55 (DAC 106) - early version

see 1

12. Before They Make Me Run #1 4’41 (DAC 106) - very early lyrics

see 7

13. Before They Make Me Run #2 4’54 (DAC 106) - early lyrics, very long fade out

see 7

14. Beast Of Burden #1 5’07 (DAC 106) - with falsetto vocals

see 1

15. Shattered #1 2’27 (ACT 17-08) - shorter instrumental, truncated start

see 1

16. Shattered #2 3’19 (DAC 097) - longer instrumental

see 1

17. Shattered #3 3’44 (DAC 097) - nearly instrumental, with ghost vocals

see 1

 

Total time: 75'18

1. Claudine #1 7’35 (DAC 097) - slow version

Boulogne Billancourt, Pathé Marconi Studios 10.10-29.11 & 6-15.12 1977

2. Claudine #2 3’35 (DAC 096) - rock'n'roll version, closer the ‘Some Girls‘ deluxe version but starts with «Claudine»&ldots; and the official with «Now Claudine&ldots;»

Boulogne-Billancourt, Pathé Marconi Studios 5-29.1-Feb.-.2.3 1978

 

3. So Young #1 3’00 (DAC 103) - with early lyrics/vocals

see 1

4. Do You Think I Really Care #1 6’15 (DAC 103) - pedal steel version

see 1

5. Do You Think I Really Care #2 6’12 DAC 114) - guitar version with more piano

see 1

6. When You're Gone #1 2'21 (ACT 17-06) - instrumental (a/k/a Redeyes)

see 1

7. When You're Gone #2 4’07 (DAC 103) - with early vocals/lyrics

see 1

8. No Spare Parts #1 6’09 (DAC 105) - with early vocals and pedal steel guitar

see 1

9. Don’t Be A Stranger #1 5’21 (DAC 105) - early lyrics, under the title Do You Get Enough

see 1

 

Total time: 44'51

1. We Had It All #1 2’54 (DAC 108) - without harmonica

Boulogne Billancourt, Pathé Marconi Studios 10.6-7.7 & late Juky-25.8 & 12.9-19.10 1979

2. We Had It All #2 2’53 (DAC 159) - version I with harmonica

 

3. We Had It All #3 2’54 (DAC 108) - more worked version

 

4. Tallahassee Lassie #1 2’40 (IMP-N-001) decelerated by -1,85% slightly noise reduction

Los Angeles, RCA Studios 26.8-6.9 1978

5. I Love You Too Much #1 4’53 (DAC 097) - high energy version a/k/a I Can’t Help It

 

6. I Love You Too Much #2 3’45 (DAC 097) - shorter and slower early version The «Genius Is Pain – NS 001» version which has an almost complete end was added to the DAC version after 2’48 which was missing the last 30 seconds

 

7. I Love You Too Much #3 3’47 (DAC 106) - instrumental, with acoustic guitar

 

8. I Love You Too Much #4 4’10 (DAC 103) - with backing vocals and more lyrics

 

9. Keep Up Blues #1 4’57 (DAC 103) - early version a/k/a Some People Tell Me

 

10. You Win Again #1 3’30 (DAC105) - with early vocals

 

11. Petrol Blues #1 3’47 (DAC 105) - STU on drums (a.k.a. Petrol or Petrol Gang)

 

 

Total time: 40'35

1. A Different Kind 6’07 (DAC 114) - instrumental

Boulogne Billancourt, Pathé Marconi Studios 10.10-29.11 & 6-15.12 1977

2. Sheep Dip Blues 0’35 (DAC 104) - instrumental

 

3. After Hours 5’00 (DAC 105) - instrumental

 

4. Armpit Blues 2’39 (DAC 103) - instrumental

 

5. Blues Jam 4’22 (ACT 17-13) - instrumental

 

6. You Don’t Have To Go #2 5’34 mixed with DAC 103 which is incomplete)

 

7. You Don’t Have To Go #2 5’36 mix with ACT 17-12 (speed adjusted) intro reworked; an attempt to get a more complete version with better sound

 

8. Broken Toe 2’02 (DAC 104) - instrumental; probably also known under the title BT

 

9. Brown Leaves #2 2’54 (ACT 17-11) - instrumental version of Dancing Girls (short) a/k/a Brown Smear

 

10. Brown Leaves #3 5’33 (DAC 104) - instrumental version of Dancing Girls (longer); a.k.a. under the working title Brown Smear

 

11. Disco Music 5’36 (DAC 105) - a/k/a Disco Muzik

 

12. Everlasting Is My Love Version #1 (4’12) (DAC 103) - no falsetto vocals

 

13. Everlasting Is My Love #2 3’50 (DAC 105) - with falsetto vocals and slide guitar

 

14. Everlasting Is My Love #3 5’03 (DAC 105) - with falsetto vocals, count in and ac gtr

 

15. Everything Is Turning To Gold #1 9’49 - (DAC 103) - long version

 

16. Everything Is Turning To Gold #2 4’29 (DAC 114) - extended #3

 

 

Total time: 74'00

1. Fiji Jim #1 (4’05) (DAC 114) - a/k/a Fiji Gin

Boulogne Billancourt, Pathé Marconi Studios 10.10-29.11 & 6-15.12 1977

2. Fiji Jim #2 (4’03) (DAC 104) - with additional lead guitar in the intro

 

3. Golden Caddy #1 (1’58) (DAC 114) - short instrumental version of Part Of The Night

 

4. Golden Caddy #2 (3’17) (DAC) - long instrumental version of Part Of The Night

 

5. Guess I Should Know (4’21) (VGP 362)

 

6. It Won't Be Long #1 (2’40) (DAC 114) - rough version, less instruments

 

7. It Won’t Be Long #2 (5’31) (DAC 107) - with additional keyboards (xylophone-sound)

 

8. It's All Wrong (3’38) (DAC 105)

 

9. Just Because I Told You (3’41) (DAC 114) - a/k/a I Need You

 

10. Light Up (5’02) (DAC 114) - instrumental

 

11. Los Trios Guitaros (3’19) (DAC 104) - instrumental a/k/a Silver Coated Nails, a/k/a Tall & Slender Blondes

 

12. Muck Spreading Dub (3’20) (DAC 103) - instrumental

 

13. Munich Hilton # 1 (6’59) (DAC 103) - drums more percussive and slide guitar

 

14. Munich Hilton #2 (4’09) (ACT 17-04) - instrumental

 

15. Munich Hilton #3 (6’03) (ACT 18-05) - instrumental

 

16. Munich Hilton #4 (4’11) (ACT 17-05) - instrumental, instruments added (gtr, hi-hat)

 

17. Munich Hilton #5 (10’44) (VGP 370) - slower and longer instrumental, with additional electric piano

 

 

Total time: 77'40

1. Never Let Her Go (4’55) (DAC 105)

Boulogne Billancourt, Pathé Marconi Studios 10.10-29.11 & 6-15.12 1977

2. Never Make You Cry #1 (4’50) (DAC 103) - MJ announces chord changes

 

3. Never Make You Cry #2 (4’04) (DAC 105) - with additional electric piano

 

4. Shame, Shame, Shame (4’01) (DAC 103)

 

5. Stay Where You Are (3’02) (ACT 17-09) - instrumental

 

6. Stay Where You Are (3’02) ACT version including a mix with DAC 104 from 0’05 to 0’55s

 

7. Summer Romance #1 (5’39) (DAC 108-1) - early lyrics, very aggressive

Boulogne-Billancourt, Pathé Marconi Studios 5-29.1-Feb.-.2.3 1978

8. Summer Romance #2 (4’47) (DAC 108-2) - early lyrics

 

9. Up Against The Wall (6’25) (DAC 104) - instrumental) mix of DAC 104 & VGP 362

see 1

10. The Way She Held Me Tight (4’38) (DAC 114) a/k/a Misty Roads beginning reworked

see 1

11. What Gives You The Right #1 (6’36) (DAC 103) - early version with pedal steel a/k/a Someone Know

see 1

 

Total time:

TATTOO YOU ALBUM TRACKS
1. Start Me Up #1 4’57 (DAC 107) Reggae-ish version, under title aka Never Stop

Boulogne Billancourt, Pathé Marconi Studios 10.10-29.11 & 6-15.12 1977

2. Start Me Up #2 3’59 (DAC 097) very early, less lyrics, no backing vocals

 

3. Start Me Up #2b 3’49 mix DAC 021 #2 and + RS (beat in the background)

 

4. Start Me Up #3 3’50 (DAC 021 v1) early version, backing vocals still no lead gtr

 

5. Start Me Up #5 5’46 (Honky Tonk Heaven)long version

Paris, Mobile Recording Unit in some unlocated warehouse (only MJ, ca. six weeks in April & May) & New York, Atlantic Studios April – June 1981

6. Hang Fire #1 3’23 (ACT 17/07) instrumental

see 1

7. Hang Fire #2a 6’33 (DAC 114_v1) aka “Lazy Bitch”- early lyrics

see 1

8. Hang Fire #2b 6’23 (DAC 105) count in early lyrics (“Lazy Bitch”) better version mix with DAC 105 & DAC 097

see 1

9. Hang Fire #3 6’49 (DAC 114_ v2) - long intro, piano, early lyrics, different version

see 1

10. Hang Fire #4 2’24 (DAC 096) - no piano, no backing vocals *

Boulogne-Billancourt, Pathé Marconi Studios 10.6-7.7& late July-25.8 & 12.9-19.10 1979

11. Hang Fire #5 2’25 (DAC 021 v2) -first version with ‘doodoodoo’-chorus but no piano

 

12. Hang Fire #6 2’27 (DAC 021 v1) - with piano added on version V

 

13. Vagina #3 3’58 (MC 142) - guitar working sequences

 

14. Vagina #04 to 10 17’35 (MC 142) - working sessions

 

 

Total time: 74'25

1. Vagina #11 (Slave#1a) 6’53 (MC 142) - instr. some shouting in the background

Rotterdam, De Doelen 22.1-9.2 1975

2. Vagina #1 (Slave #1b) 9’47 (ACT20_01) - long version some shouting

 

3. Vagina #2 (Slave #1c) 8’47 (DAC 114 ) - more elaborated and some shouting

 

4. Slave #2a 9’45 (DAC 021) - first version with vocals, without sax

Boulogne-Billancourt, Pathé-Marconi Studios 11.10-12.11 & 25.11-mid Dec.1980

5. Slave #2b 4’34 (ACT 20_ 12) - different vocals, without sax

 

6. Slave #3 8’48 (DAC 107) - count in, sax

Paris, Mobile Recording Unit in some unlocated warehouse (onlyMJ, ca. six weeks in April & May) & New York, Atlantic Studios April – June 1981

7. Little T&A#1 2’09 (OBR) - embryonic instrumental version

Boulogne Billancourt , Pathé Marconi Studios 10.10-29.11 & 6-15.12 1977

8. Little T&A #2 3’56 (DAC 108) -instrumental

Nassau, Compass Point Studios 22.1-12.2 1979

9. Little T&A #3 4’17 (DAC 021) - early lyrics

 

10. Black Limousine #1 2’16 (DAC 104) -with Ron Wood on guitar; early instrumental version (probably under title Broken Head Blues) feat. Stu on piano.

Munich, West-Germany, Musicland Studios (without MT) 12-14.11 1973

11. Black Limousine #2a 3’26 (DAC 104) - early lyrics, unusual intro

see 7

12. Black Limousine #2 3’38 (ACT 17_05) - early lyrics, start by a wrong sequence
* note: DAC version had a longer intro, ACT is in stereo but start with a guitar intro that seems from another track. So I decided to distinguished the 2 versions (so # 2a and # 2b)

see 7

13. Black Limousine #3 4'14 (DAC 105) - early lyrics, usual intro

see 7

14. Black Limousine 4'09 (DAC 021) - with finished lyrics and backing vocals

see 7

 

Total time: 76'47

1. Black Limousine #4 3'46 (DAC 021) - with finished lyrics and backing vocals

Boulogne- Billancourt, Pathé-Marconi Studios 11.10-12.11 & 25.11-mid Dec.1980

2. Black Limousine #5 3’35 (ACT 20_02)* - shortened version with additional guitar

 

3. Neighbours #1 3’36 (DAC 159) - early version with guide vocals

Boulogne-Billancourt, Pathé Marconi Studios 10.6-7.7& late July-25.8 & 12.9-19.10 1979

4. Neighbours #2a 3’28 (DAC 021) - different solos, no sax

see 1

5. Neighbours #2b 3’48 (ACT 20_07) - more piano and an additional guitar, no sax

see 1

6. Neighbours #3 2'59 (Egg 106) - different sax

Paris, Mobile Recording Unit in some unlocated warehouse (only MJ, ca. six weeks in April & May) & New York, Atlantic Studios April - June 1981

7. Worried About You - sequence 1 2’57 -instrumental, slower

Rotterdam, Holland, De Doelen 22.1-9.2 1975

8. Worried About You - sequence 2 2’00 -instrumental, slower

 

9. Worried About You - sequence 3 1’02 -instrumental, slower

 

10. Worried About You - sequence 4 2’58 -instrumental, slower

 

11. Worried About You - sequence 5 2’26 -instrumental, faster

 

12. Worried About You - sequence 6 0’41 -instrumental, faster

 

13. Worried About You #2a 7’34 (DAC 088) - different falsetto and backing vocals

see 1

14. Worried About You #2b 7’28 (DAC 021) - different falsetto and backing vocals

see 1

15. Tops #1 4’36 -working sessions -instrumental

see 7

16. Tops #2 4’44 (VGP 197) - instrumental; playback

see 7

17. Tops #3 4’19 (ACT 20_10) -using version 1 as backing, different lyrics

see 1

18. Heaven #1 5’28 (DAC 104) -early version with guide vocals

see 3

19. Heaven #2 5’28 (DAC 002) -first version with real lyrics

see 1

 

Total time: 70'12

1. No Use In Crying #1 3’21 (ACT 21_11) - shorter early version

Boulogne-Billancourt, Pathé Marconi Studios 10.6-7.7& late July-25.8 & 12.9-19.10 1979

2. No Use In Crying #2 4’31 (Tatoo Too - Rattlesnake) - longer early version

 

3. No Use In Crying #3 4’31 (Tatoo Too) - similar to #2, but organ sets (at 2’15)

 

4. No Use In Crying #4a 3’41 (DAC 021) - edit of early version

 

5. No Use In Crying #4b 3’27 (DAC 159) - different voices in the second part

 

6. No Use In Crying #5 4’33 (DAC 02) - with additional piano overdub

Boulogne- Billancourt, Pathé-Marconi Studios 11.10-12.11 & 25.11-mid Dec.1980

7. Waiting On A Friend 2’24 - working sessions instrumental (bad quality)

Rotterdam, De Doelen 22.1-9.2 1975

8. Waiting On A Friend #1 4’21 (VGP 197) - early version with guide vocals

see 1

9. Waiting On A Friend #2a 4’54 (ACT 20/03) - lyrics, without sax, without voice in the intro

see 6

10. Waiting On A Friend #2b 4’50 (DAC 021) - lyrics, without sax, with voice in the intro.

see 6

11. Waiting On A Friend #2c 4’49 (ACT 20/04) - as #2b but with more percussions (congas)

see 6

12. Waiting On A Friend #3a 3’44 (DAC 104) - different sax

Paris, Mobile Recording Unit in some unlocated warehouse (only MJ, ca. six weeks in April & May) & New York, Atlantic Studios April – June 1981

13. Waiting On A Friend #3b 5’16 (ACT 05/06) - more sax

 

14. Slave (For a friend mix (DAC 021+ACT 20/12) 4'34

 

 

Total time: 59'04

KKP = King Kong Products

FP = Frankenstein Product

ACT = Art Collins Tapes

RS = Rattlesnake

DAC,VGP,ORB and EGG are known

 

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