The BLACK AND BLUE sessions Volume 1 (FP 111) - 2CDr

1a. Act Together #1a (0’43) (IMP) - introduction trials and false starts

Munich, Musicland Studios 5-19.12 1974 (without MT)

1b. Act Together #1a (0’38) (reworked) channel equalization, improved cuts
Note: lossy file

 

2a. Act Together #1b (4’48) (GS3) - Nicky Hopkins on piano; instrumental

 

2b. Act Together #1b (4’48) (reworked) channel equalization (+10% to the left), sound amplification.

 

3a. Act Together #2 (4’06) (VGP 362) - Nicky Hopkins on piano; instrumental, with additional guitar-overdub

 

3b. Act Together #2 (4’07) (reworked) mix with VGP on the left and IMP on the right channel (after decelerating by -0,22%), only the last 8 seconds are solely from IMP (note: this segment is lossy)

 

4a. Cherry Oh Baby #1 (4’35) (MF) - an Eric Donaldson song, Nicky Hopkins on organ; early take without RW (probably recorded on the 15th December)

 

4b. Cherry Oh Baby #1(4’37) (reworked) a default on the left channel corrected from 0'21 to 0’28 seconds (by increasing the right canal by + 60%), the last second is from RTR, decelerated by -0,16%

 

Notes:
Cherry Oh Baby #2 with Nicky Hopkins on organ and RW on guitar is the Black And Blue-version
Cherry Oh Baby #3 with Nicky Hopkins on organ and RW on guitar is the edited Black And Blue-8-track-version
See also Part V (Montauk rehearsals) and Part VI (Rotterdam rehearsals)

 

5a. Crazy Mama #1 (4’09) (EXR) - early take with partly different lyrics

 

5b. Crazy Mama #1 (4’19) (reworked) decelerated by -1,7%, little defaults deleted in the beginning, sound amplification, count in from IMP (after noise reduction).

 

Notes:
Crazy Mama #2 with RW on guitar and backing vocals, Billy Preston on piano and backing vocals, Ollie Brown on cowbell is the Black And Blue-version

 

Crazy Mama #3 with RW on guitar and backing vocals, Billy Preston on piano and backing vocals, Ollie Brown on cowbell; is the edited Sucking In The 70’s-version

 

6a. Fool To Cry #1a (0’08) (IMP) - introduction trials or false starts

 

6b. Fool To Cry #1a (0’43) (reworked)

 

Note: lossy file
7a. Fool To Cry #1b (5’53) (GS3) - Nicky Hopkins on piano and string synthesizer; early version with different lyrics and no backing vocals, probably recorded on December the 12th

 

7b. Fool To Cry #1b (5’53) (reworked) discreet count in and final comments upgraded (with noise reduction)

 

8a. Fool To Cry #2 (5’10) (DAC 088) - Nicky Hopkins on piano and string synthesizer; early version with finished lyrics, lacking some overdubs

 

8b. Fool To Cry #2 (5’04) (reworked) sound amplification, noise reduction in the first 30 seconds and at the end to decrease the hiss.

 

8c. Fool To Cry (2’13) mix of #1 (right channel) and #2 (left channel). Because the 2 versions were very different only a part could be mixed (make me a favor and listen it with headphone!)

 

Notes:
Fool To Cry #3 - Nicky Hopkins on piano and string synthesizer, Wayne Perkins on guitar, Billy Preston on backing vocals is the Black And Blue-version

 

Fool To Cry #4 - Nicky Hopkins on piano and string synthesizer, Wayne Perkins on guitar, Billy Preston on backing vocals is the edited Sucking In The 70’s-version

 

9a. I Got A Letter #1 (4’25) (GS3) - Nicky Hopkins on piano; instrumental

 

9b. I Got A Letter #1 (4’24) (reworked) sound amplification, noise reduction in the first seconds to increase the slight count-in

 

10a. I Got A Letter #2 (4’30) (VGP 362) - Nicky Hopkins on piano; vocals by KR; under the working title Cable From My Baby

 

10b. I Got A Letter #2 (4’31) (reworked)

 

11a1. I Love Ladies (6’11) (DAC104) - mono mix, longest version

Rotterdam, De Doelen, Mobile Record Unit. 22.1-9.2 1975

11a2. I Love Ladies (4’41) (DAC088) - stereo mix, shortened version

 

11a3. I Love Ladies (3’32) (DAC114) - different stereo mix, shortest version

 

11b. I Love Ladies (6’13) (reworked) mix with DAC 114 from start to 0’24 then DAC 104 (after sound amplification).

 

12a. Slave #1a (7’23) (VGP 362) - nearly instrumental under title Vagina, Billy Preston on piano, count in

 

12b. Slave #1a (7’18) (reworked) accelerated by 1, 08%

 

13a. Slave #1b (9’47) (FP 073) - longer as 1a, some shouting a/k/a Vagina #1

 

13b. Slave #1b (9’47) (FP 073) accelerated by 0,25%

 

14a. Slave #1c (8’48) (DAC 088) - more elaborated, some shouting a/k/a Vagina #2

 

14b. Slave #1c (8’45) (FP 073) mix DAC 088 and DAC 114

 

Notes:
14a, 14b, 15a & 15b are the same as in the FP n°073

 

Slave #2 is from a 1980 sessions (cf. FP 073)

 

Slave #3 is from a 1981 sessions (cf. FP 073)

 

Slave #4 is the version kept for ‘Tattoo You’

 

Slave #5 is the longer version used for the 2009 remastered ‘Tattoo You’-version

 

For the rehearsals versions see Part VI

 

Comment: (artwork)

Black And Blue and other 1975 sessions - Vol 02 (FP 112) - 2CDr

15a. Melody #1 (6’21) (DAC 088) - Billy Preston on vocals and piano; January 23

Rotterdam, De Doelen, Mobile Record Unit. 22.1-9.2 1975

15b. Melody #1 (6’20) (reworked) minor sound reduction at the start and end of the track, decelerated by -0,29%

 Note: Melody #2 is the Black And Blue-version

16a - Worried About You #1 (7’20) (MF) - Billy Preston piano ‘E minor’ says MJ at 1’40

 

16b - Worried About You #1 (7’30) (reworked) the first 14 seconds and the last second are from IMP (which is more hissy and lossy but more complete), accelerated by 0,18%

 Notes:
Tracks 36a (DAC 088) & 36b on FP 075 are from this session and not 1980 as wrote on FP 075: sorry I do a mistake!
Here I chose MF version not so hissy as the DAC one
Worried About You #2 is from a 1980 session (cf. FP 075 tracks 37a & 37b)
Worried About You #3 is the version kept for ‘Tattoo You’
For the rehearsals versions see part VI or FP 075

17a - Cellophane Trousers #1 (5’03) (MF) - instrumental (uses Too Tough-riff)

Munich, Musicland Studios. 19.3-5.4 1975

17b - Cellophane Trousers #1 (5’05) (reworked) sound amplification, first seconds from DAC 088 after noise reduction.

 

18a - Cellophane Trousers #2 (4’58) (DAC 108) - version #1 with additional lead guitar

 

18b - Cellophane Trousers #2 (4’57) (reworked) accelerated by 0,2%

 

19a - Hand Of Fate #1 (4’50) (MF) - Wayne Perkins on guitar, Ollie Brown on percussion; early version with partly different lyrics

 

19b - Hand Of Fate #1 (4’50) (reworked) channel equilibration (+10% to the right), sound amplification, first seconds from DAC 088, decelerated by -0,27%

 Note: Hand Of Fate #2 with RW on backing vocals, Wayne Perkins on guitar, Billy Preston on piano, Ollie Brown on percussion is the Black And Blue-version

20a - Hey Negrita #1 (11’24) (MF) – RW on guitar; early version

 

20b - Hey Negrita #1 (11’24) (reworked) decelerated by -0,16%, minor treble addition, sound amplification in some parts.

 Note: Hey Negrita #2 with RW on guitar and backing vocals, Billy Preston on organ, piano and backing vocals; recorded on the 2nd April, is the Black And Blue-version

21a - Hot Stuff #1 (5’04) (DAC 104) - Ollie Brown on cowbell, Harvey Mandel on guitar; with some hardly audible vocals

 

21b - Hot Stuff #1 (5’08) (reworked) channel equalization (+30% for the right), sound amplification, decelerated by -0,28%

Notes:
Hot Stuff #2 is the Black And Blue-version
Hot Stuff #3 is an edit of the #2

22a - Let's Do It Right #1 (6’23) (DAC 114) - a/k/a Come On Sugar

 

22b - Let's Do It Right #1 (6’24) (reworked) duplicated

 

23a - Let's Do It Right #2 (5’33) (DAC 108) - version #1 with different mix (much reverb, etc.)

 

23b - Let's Do It Right #2 (5’36) (5’33) minor treble addition, decelerated by -0,61% to be synchronized with #1

 

24a - Memory Motel #1 (7’13) (DAC 104) - Wayne Perkins and Harvey Mandel on guitars, Billy Preston on synthesizer; instrumental, lacking some overdubs

 

24b - Memory Motel #1 (7’16) (reworked) decelerated by -0,7%, minor noise reduction in the intro.

Note: Memory Motel #2 with RW on backing vocals, Wayne Perkins and Harvey Mandel on guitars, Billy Preston on synthesizer and backing vocals is the Black And Blue-version

25a - Munich Reggae (5’27) (DAC 108) - instrumental (MJ's voice barely audible in the beginning)

 

25b - Munich Reggae (5’30) (reworked) duplicated, increased the end by reworking the fade out

 

26a - Built That Way #2 (4’43) (Fully Finished) - a/k/a Boogie Jam as instrumental* (that must be accelerated by +2,4%!)

 

26b - Built That Way (4’43) (reworked) channel equilibration (5% for the left channel), minor treble addition and duplication

Note: * for Built That Way #1 a/k/a Boogie Jam see Part VI

27a - Scarlett #1 (3’39) (Fully Finished)

 

27b - Scarlett #1 (3’39) (reworked) sound amplification, duplication, decelerated by -0,23% to be synchronized with the GHS bonus track.

Note: Scarlet #2 is the version kept for Goat Head Soup-deluxe version

 

Total time:

Comment: (artwork)

Black And Blue and other 1975 sessions - Vol 03 (rehearsals part 1) (FP 113) - 2CDr

1a. blues rhythm 1 5’51 (instr.) merely one riff by KR (plus lead gtr and org)

Rotterdam, De Doelen, Mobile Record Unit 22.1-9.2 1975

1b. blues rhythm 1 5’36 - reworked

 

2b. blues rhythm 2 3’20 (instr.) now with bass and drums as well

 

2b. blues rhythm 2 3’32 - reworked after 2’ looks like a pre-Hot Stuff riff

 

3a. slow jam 6’02 (instr.)

 

3b. slow jam 4’03 - reworked, reggae flavour, Hot Stuff riff not far away

 

4a. 12-bar blues 1 4’30 (instr.)

 

4b. 12-bar blues 1 3’11 - reworked, with harmonica (cf. another take at seq. 32, 73 & 74)

 

5a. rock rhythm 1 1’54 (instr.)

 

5b. rock rhythm 1 1’55 - reworked, big digital noise deleted at 0’13 great JB work

 

6a. rock rhythm 2 2’02 (instr.)

 

6b1. rock rhythm 2 0’20 - reworked not much to keep

 

6b2. English Rose 1 0’21 - reworked short intro for the next sequence

 

7a. English Rose 1 2’16 - playback, part only

 

7b. English Rose 1 2’21 - reworked

 

7c. English Rose 1 1’09 - mix with GS3 (left channel decelerated by -7,3%) & Seq 7b (right channel)

 

8a. Men Eating Women 1 4’14 - playback

 

8b. Men Eating Women 1 4’17 - reworked

 

8c. Men Eating Women 1 3’15 - GS 3 version reworked: decelerated by -7%, channel requilibred (+1,5 for the right), pops deleted.

 

9a. funky rhythm 1’27 (instr.) James Brown-like; MJ vocals in the off

 

9b. funky rhythm 0’56 - reworked

 

10a. slow blues part 1 1’03 seems ‘12-bar blues’ continued (for next part see seq&ldots;)

 

10b. slow blues part 1 0’56 - reworked

 

11a. Built that Way 1 4’52 (instr.) (a/k/a Boogie Jam) several takes

 

11b. Built That Way 1 4’46 - reworked

 

12a. Built That Way 2 5’00 (instr.)

 

12b. Built That Way 2 5’12 - reworked decelerated by 1%

 

13a. Built That Way 3 6’33 (instr.)

 

13b. Built That Way 3 6’36 - reworked decelerated by 1%

 

14a. Built That Way 4 4’27 (instr.) (nearly complete)

 

14b. Built That Way 4 4’37 - reworked, decelerated by 1%

 

15a. ‘MJ & CW’ interview 3’07

 

15b. MJ & CW interview 2’57 - reworked decelerated by -7%, I must admit I didn’t polish this one too much!

 

16a. funky rhythm jam 3’05 - instrumental, great impro by Jeff Beck

 

16b. funky rhythm jam 3’07 - reworked, not to be confused with ‘funky jam’ and ‘funky rhythm’ =)

 

17a. I Love Ladies 1’56 (instr.) a/k/a Sexie Nite

 

17a. I Love Ladies 1’36 - reworked

 

 

Total time:

Comment: (artwork)

Black And Blue and other 1975 sessions - Vol 04 (rehearsals part 2) (FP 114) - 2CDr

18a. short jam1’29 (instr.) a/k/a Warm Up Jam

Rotterdam, De Doelen, Mobile Record Unit 22.1-9.2 1975

18b. short jam 1’08 - reworked

 

19a. Worried About You 1 8’40 (instr.) slower version

 

19b. Worried About You 1 8’57 - reworked as FP 075: decelerated by -7% in 4 sequences

 

20a. Worried About You 2 2’33 (instr.) faster version

 

20b. Worried About You 2 2’26 - reworked as FP 075 : decelerated by -7%

cf. also sequence 25 for another take

21a. slow ballad 3’10 (instr.)

 

21b. slow ballad 3’15 - reworked

 

22a. funky jam 1 5’09 (instr.) with Billy Preston on synth

 

22b. funky jam 1 (instr.) with Billy Preston on synth

 

23a. funky jam 2 8’17 (instr.) with less Billy Preston on synth

 

23b. funky jam 2 5’23 - reworked

 

23c. Freeway Jam 1 3’10 - reworked

The 2nd part of 23a is a Freeway Jam take

24a. Freeway Jam 2 6’18 (instr) with Jeff Beck on guitar, several takes

 

24b. Freeway Jam 2 6’38 - reworked

 

25a. Worried About You 3 0’41 - (instr.) with Billy Preston on keyboards

 

25a. Worried About You 3 0’41 - reworked

 

26a. Freeway Jam 3 3’03 (instr)

 

26b. Freeway Jam 3 3’12 - reworked

 

27a. Freeway Jam 4 2’17 (instr)

 

27b. Freeway Jam 4 2’24 - reworked

 

28a. rock rhythm 2 2’28 - nearly instr., some shouting

 

28b. rock rhythm 2 2’00 - reworked

 

29a. English Rose 2 1’15 - with vocals

 

29b. English Rose 2 1’17 - reworked

 

30a. Men Eating Women 2 4’45 - with vocals

 

30b. Men Eating Women 2 4’32 - reworked

 

31a. funky jam 3 1’27 - with vocals

 

31b. funky jam 3 1’01 - reworked

 

32a. 12-bar blues 2 3’21 - a/k/a Slow Blues, with MJ on vocals in the off and harmonica

 

32b. 12-bar blues 2 3’23 - reworked

 

33a. Windmill 1 3’48 - playback a/a/a Wind Call (this version is aptly named!)

 

33b. Windmill 1 2’17- reworked

 

34a. Waiting On A Friend 2’32 - playback, part only

 

34b. Waiting On A Friend 2’22 - reworked as FP 076

 

35a. Criss Cross 1’35 - playback part only

 

35a. Criss Cross 1’14 - reworked

 

36a. Windmill 2 2’27 - playback, part only, very bad quality

 

36b. Windmill 2 2’29 - reworked

 

37a. Windmill 3 2’29 - nearly complete

 

37b. Windmill 3 2’29 - reworked

 

38a. Tops 4’22 - (instr. playback) lots of digital noises

 

38b. Tops 4’34 - reworked as FP 075

 

38c. Tops 3’22 - version Pignose 026 reworked

 

Bonus
39b. You Know What I Mean a/k/a funky jam 0’49 - mix from S061 (right channel) & Pignose 026 (left channel)

 

 

Total time:

Comment: (artwork)

Black And Blue and other 1975 sessions - Vol 05 (rehearsals part 3) (FP 115) - 2CDr

40a. slow ballad1’44 (instr.)

Rotterdam, De Doelen, Mobile Record Unit 22.1-9.2 1975

40b1. slow ballad 0’57 - reworked

 

40b2. instrumental jam (part 1) 0’19 - reworked

The 2nd part of 40a is the first part of the instrumental jam

41a. instrumental jam (part 2) 1’27 - with Jeff Beck on guitar

 

41b. instrumental jam 1’10 (part 2) - reworked

 

42a. Freeway Jam 5 1’31 (instr.)

 

42b. Freeway Jam 5 1’27 - reworked

 

43a. Shame, Shame, Shame 2’50 (instr.)

 

43b. Shame, Shame, Shame 2’55 - reworked

 

43c. Shame, Shame, Shame 2’42 - reworked, mix from VGP 027 & GS 3

 

44a. Vagina (Slave 1) 6’48 (instr.)

 

44b. Vagina (Slave 1) 6’16 - reworked

Note cf. track 57 and cd n°4 for the other Slave versions

45a. Built That Way 5 1’02 (instr.), partial

 

45b. Built That Way 5 0’48 - reworked

 

46a. Built That Way 6 11’35 (instr.), some shoutings in the first minute

 

46b. Built That Way 6 11’52 - reworked

 

47a. Built That Way 7 4’45 (instr.)

 

47b. Built That Way 7 4’36 - reworked

 

48a. interview with CW 4’05 - in fact he only answer to a question!

 

48b1. interview with CW 4’06 reworked

 

48b2. Crazy Mama 1 3’10 - fragments, piano overdub- session

The 2nd part of 48a are fragments of Crazy Mama

49a. Crazy Mama 2 3’55 - with ghost-vocal, overdub-session

 

49b. Crazy Mama 2 3’49 - reworked

Note: track destroyed by diginoises after 3’45!

50a. I Got A Letter 1’53 - with some vocals, piano overdub- session

50b. I Got A Letter 1’33 - rebuilt (first 6 seconds and some in the middle saved by deleting diginoises then the kept parts were reconnected)

Note: lots of digital noises in the first 9 seconds and from 0’45 until 1’15

51a. Cherry Oh Baby 1’32 - with some vocals

 

51b. Cherry Oh Baby 1’37 - reworked

 

52a. Act Together 1 0’50 (instr.)

 

52b. Act Together 1 0’50 - reworked

 

53a. Act Together 2 2’15 (instr.), guitar overdub-session

 

53b. Act Together 2 2’21 - reworked, dozens of diginoises deleted

 

54a. Fool To Cry 3’05 - partial

 

54b. Fool To Cry 3’11 - reworked

 

55a. Melody 5’48 - longer version, vocal by MJ & BP

 

55b. Melody 6’00 - reworked

Note a big diginoise deleted at 3’33

56a. Built that Way 8 4’53 - some vocals in the first segment, additional lead guitar

 

56b. Built that Way 8 4’55 - reworked

 

57a. Slave 2 5’16 - elaborated instr. with some shoutings in the background

 

57b. Slave 2 5’30 - reworked

Note: remember the number are not the chronological versions but the appeared order in the MC box!

58a. slow riff 1’19 (instr.)

 

58b. slow riff 1’15 - reworked

 

59a. long jam 7’29 (instr.), very bass-heavy

 

59b. long jam 6’28 - reworked

 

 

Total time:

Comment: (artwork)

Black And Blue and other 1975 sessions - Vol 06 (rehearsals part 4) (FP 116) - 2CDr

60a. Monkey Man riff 4’00 (BT2G) (instr.)

Rotterdam, De Doelen, Mobile Record Unit 22.1-9.2 1975

60b. Monkey Man riff 1 2’18 - reworked

 

60c. Monkey Man riff 2 1’24 - reworked

Note: short segment coming from BT2G tape and absent from MC-142

61a. Slave 3 3’58 (BT2G) (instr.) guitar only

 

61a. Slave 3 3’45 - reworked as FP 073

 

62a. Slave 4 1’52 (BT2G) (instr.) guitar and a little keyboards rehearsals

 

62b. Slave 4 1’49 - reworked

 

63a. Slave 5 2’43 (BT2G) (instr.) guitar and a little keyboards rehearsals

 

63b. Slave 5 2’28 - instrumental

 

64a. Slave 6 3’08 (BT2G) (instr.) guitar and a little more keyboards rehearsals

 

64b. Slave 6 3’02 - reworked

 

65a. Slave 7 1’46 (BT2G) (instr.) guitar, more elaborated drums and keyboards

 

65b. Slave 7 1’27 - reworked

 

66a. Slave 8 3’53 (BT2G) (instr.) more research on guitar

 

66b. Slave 8 3’40 - reworked

 

67a. Slave 9 1’50 (BT2G) (instr.)

 

67b. Slave 9 1’38 - reworked

 

68a. Slave 10 2’25 (BT2G) (instr.)

 

68b. Slave 10 2’03 - reworked

 

68c. Slave 10b 0’19 - reworked

Note: short segment coming from MC-142 and absent from BT2G tape

69a. Slave 11 6’55 (instr.) more elaborated, some shouting

 

69b. Slave 11 6’27 - reworked

 

70a. funky rhythm 1 4’56 (instr.)

 

70b. funky rhythm 1 4’52 - reworked

 

75a. funky rhythm 2’1 - reworked

 

76a. Slave 12 0’54 - short and noisy segment

 

76b1. Slave 12 0’26 - reworked

 

76b2. boogie jam 1 0’51 - reworked, with Jeff Beck on guitar

 

77a. boogie jam 2 1’39 (instr.) with Jeff Beck on guitar

 

77b. boogie jam 2 0’59 - reworked

 

78a. long blues 1 0’59 (instr.)

 

78b. long blues 1 0’57- reworked

 

79a. long blues 2 2’11 (instr.)

 

79b. long blues 2 2’17 - reworked

 

80a. long blues 3 3’47 (instr.)

 

80b. long blues 3 3’50 - reworked

 

80c. long blues rebuilt 3’08 (BT2G) - reworked

 

Note: different segments from BT2G cassette, reconnected as a single track

 

81a. funky rhythm jam 3’23 (instr.) (ugly sound)

 

81b. funky rhythm jam 3’26 - reworked

 

82a. more funky rhythm jam 1 0’38 (instr.)

 

82b. more funky rhythm jam 1 0’39 - reworked

 

83a. blues with Jeff 12’13 (instr.)

 

83b1. more funky rhythm jam 2 2’39 (instr.)

 

83b2. blues with Jeff 10’07 - reworked «bells ringing» sing MJ at 2’40

 

 

Total time:

Comment: (artwork)

Black And Blue and other 1975 sessions - Vol 07 (FP 117) - CDr

1a. Jam 1 5’28 (DAC 168)

The Montauk Rehearsals April-May 1975

1b. Jam 1 5’28 - reworked

 

2a. Melody 6’15 (DAC 168)

 

2b. Melody 6’15 - reworked

 

3a. Jungle Man 12’15 (DAC 168) - a Joseph Modeliste, Arthur Neville, Leo Nocentelli and Joseph Porter song

 

3b. Jungle Man 12’15 - reworked

 

4a. Jenny Jenny 4’51 (DAC 168) - a Richard Penniman and Enotris Johnson song

 

4b. Jenny Jenny 4’51 - reworked

 

5a. Jam 2 5’28 (DAC 168)

 

5b. Jam 2 5’24 - reworked

Note: On these tracks I re-equilibrated the channels (+10% to the left), use a minor noise reduction and added a minor treble and sound amplification.

6a. Carnival To Rio 1 6’59 (Ahead From the Storm - Zomb Torrents) an Eric Clapton song

Eric Clapton & Stones New York, Electric Lady Studios 25 & 30.6 1975

6b. Carnival To Rio 1 7’09 - reworked: decelerated by -1,7%

Note: Allegedly 10 takes have been recorded. Clapton later released this song under the title Carnival on his No Reason To Cry-album but used a Stones-less re-recording

7a. Carnival To Rio 2 1’45 (Little Boy Blue & the Blue Boys - no label) - only the end segment

Note: this version from the EC bootleg ‘Ahead From The Strom’ (Zomb torrents) is identical to the Rebel Yell Factory version and 1,7% faster as the official version.

7b. Carnival To Rio 2 1’48 - reworked, decelerated by -2,1%

The beginning of this segment is similar to the previous version until 0’56 then the end is different (it seems the Jagger’s parts are duplicated, like a loop).

8a - MJ buying bootlegs 35’43 - MJ discusses and buys bootlegs with/from a record shop keeper.

private audio tape, made at some shop in New York City 13.8 1975

 

8b - MJ buying bootlegs 35’41 - reworked : decelerated by -3%

 

 

Total time:

Comment: (artwork)

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