DIRTY WORK sessions (FP-094)
PART I: The acoustic Sessions - Volume 1 - 2CDr

BABY YOU’RE TOO MUCH
1a. Baby You’re Too Much #1 (1’39) (HD)

Boulogne-Billancourt, Pathe-Marconi Studios 15.1-28.2 1985

1b. Baby You’re Too Much #1 (1’37) (reworked - FP 049) sound amplified, some noises deleted

Baby You’re Too Much #2 and #3 see Part III

SOMETHING I WANT
2a. Something I Want #2 (14’38) (HD) - a/k/a «What Am I Gonna Do With Your Love» and «Your Love»

Something I Want #1 is from a 1982 Undercover session (cf. FP 066)

2b. Something I Want #2 (14’06) (reworked - FP 049) decelerated by -3,731%, using the GW version as reference (better correction but incomplete), channels duplicated, some defects deleted in particuliar at 5’18 and 10’30

Something I Want #3 & #4 see Part III

BESIDE YOU
3a. Beside You #1 (3’42) (DAC 112) - a/k/a «I Can’t See Nobody» embryonic version

 

3a. Beside You #1 (3’17) (reworked) some silent parts deleted and some music parts amplified

Beside You #2 see Part III

BROKEN HEARTS FOR ME AND YOU
4a. Broken Hearts For Me and You (3’31) (HD)

 

4b. Broken Hearts For Me and You (3’39) (reworked) decelerated by -3,863%, minor noise reduction, some little defects deleted

 

DON’T BE CRUEL
5a. Don’t Be Cruel (4’35) (WG) - an Otis Blackwell and Elvis Presley song

 

5b. Don’t Be Cruel (4’34) (reworked) minor noise reduction, sound amplified

 

ELIZA UPCHINK
6a. Eliza Upchink #3 (5’08) (WG) - a/k/a «Back On the Streets Again»

 

6b. Eliza Upchink #3 (5’08) (reworked) minor noise reduction, sound amplified

Eliza Upchink #1 and #2 are from a 1982 Undercover session (cf. FP 063)

THIRTY NINE AND HOLDING
7a. Thirty Nine And Holding (6’11) (WG) - a Jerry Foster and Wilburn Steven Rice song

 

7b. Thirty Nine And Holding (6’11) (reworked) minor noise reduction, sound amplified

 

ONE HIT (To the Body)
8a. One Hit #1 (8’16) (WG)

For the other versions see Part III and IV

8b. One Hit #1 (8’07) (reworked) lots of defects deleted, minor noise reduction and sound amplified

 

UNKNOWN JAMS*
9a. Unknown Jams (7’18) (WG) - see note 2 below

 perhaps it corresponds to “Unknown vocal track - maybe an abandoned bridge-idea for One Hit”?

9b. Unknown Jams (7’17) (reworked) minor noise reduction, sound amplification

 

BONUS TRACK #1 – ALL SHOOK UP (1)
BT #1a:. All Shook Up (1’13) (nzb) - an Otis Blackwell and Elvis Presley song, KR on vocals

 

BT #1b:. All Shook Up (1’12) (reworked), channel rebalanced, minor noise reduction, sound amplified

 

BONUS TRACK #2 – ARE YOU LONELY FOR ME BABY (1)
BT #2a: 11a. Are You Lonely For Me Baby (13’06) (nzb) - a Bert Berns song, KR & MJ on vocals

(1) These two tracks were sent recently by nzb and have not been widely circulating: a great find to complete this collection!

 

BT #2b: 11b. Are You Lonely For Me Baby (12’28) (reworked) minor noise reduction, sound amplified, accelerated by +5%, little defect deleted at 8’13

The texts and the covers were already finished, so I called them bonus tracks #1 and #2 because I didn’t want to rename all the other tracks and remake all the covers.

 

Total time:

Comment: (artwork)

DIRTY WORK sessions (FP-095)
PART II: The sessions for the tracks used for the album Volume 2 - 2CDr

ONE HIT (to the body)

 

10a. One Hit #2 (4’58) (DAC 112) - with guide vocals

Boulogne-Billancourt, Pathé Marconi Studios 5.4-17.6 1985

10b. One Hit #2 (4’58) (reworked)

 

11a. One Hit #3 (4’59) (DAC 112) - instrumental

 

11b. One Hit #3 (4’58) (reworked)

 

12a. One Hit #4 (4’52) (DAC 020) - nearly finished version, alternate lyrics

New York, RPM Studios 16.7-17.8 1985, Dirty Work outtakes

12b. One Hit #4 (4’52) (reworked) minor noise reduction

 

13a. One Hit #5 (4’47) (VGP 264) - version IV with backing vocals

Boulogne-Billancourt, Pathé-Marconi Studios 5.4-17.6 1985 & New York, RPM Studios 16.7-17.8 1985

13b. One Hit #5 (4’47) (reworked) noise deleted at the end

 

Notes:
One Hit #1 - cf. track 08 on Part I
One Hit #6 - Dirty Work-version
One Hit #7 - faded promo-version
One Hit #8 - 12" London Mix, remixed by Steve Lillywhite
One Hit #9 - 12" Edit

 

FIGHT

 

14a. Fight #1 (4’57) (DAC 112) - KR on vocals

see 10a

14b. Fight #1 (4’57) (reworked) mix

see 12a

15a. Fight #2 (3’59) (DAC 112) - MJ on vocals, early lyrics

 

15b. Fight #2 (3’55) (reworked) minor speed correction

 

16a. Fight #3 (3’05) (DAC 020) - instrumental

see 13a

16b. Fight #3 (3’04) (reworked) speed correction and minor noise reduction

 

Note: Fight #4 - Dirty Work-version

 

HARLEM SHUFFLE
17a. Harlem Shuffle #1 (5’43) (DAC 020) - a Bob Relf and Ernest Nelson song; with spoken words-part

 

17b. Harlem Shuffle #1 (5’43) (reworked)

 

18a. Harlem Shuffle #2 (4’13) (DAC 020) - no spoken words, no bvoc

 

18b. Harlem Shuffle #2 (4’13) (reworked) increased the end by reworking the fade out

 

19a. Harlem Shuffle #3 (3’55) (DAC 020) - finished intro, with bvoc

 

19b. Harlem Shuffle #3 (3’54) (reworked) increased the end by reworking the fade out

 

Notes:
Harlem Shuffle #4 - Dirty Work-version
Harlem Shuffle #5 - 12" NY Mix, remixed by Steve Thompson and Michael Barbiero
Harlem Shuffle #6 - 12" London Mix, remixed by Steve Lillywhite

 

TOO RUDE
20a. Too Rude #1 (10’25) (DAC 112) - a Lydon Roberts, Sly Dunbar and Robbie Shakespeare song; very slow

see 12a

20a. Too Rude #1 (10’25) (reworked) treble reduced

 

21a. Too Rude #2 (3’35) (DAC 020) - early take, much shorter than #1

see 13a

21b. Too Rude #2 (3’36) (reworked) increased the end by reworking the fade out

 

22a. Too Rude #3 (3’48) (DAC 020) - version 2 with backing vocals

 

22b. Too Rude #3 (3’50) (reworked) treble reduced

 

Note: Too Rude #4 - Dirty Work-version

 

 

Total time:

Comment: (artwork)

DIRTY WORK sessions (FP-096)
PART II: The sessions for the tracks used for the album Volume 3 - 2CDr

Notes:
‘Hold Back’ #1 is an uncirculated version
As on the official album you’ll find here a hiding track

 

WINNING UGLY
23a. Winning Ugly #1 (4’28) (DAC 112) - early version with different lyrics

New York, RPM Studios 18.7 - 17.8 1985

23b. Winning Ugly #1 (4’29) (reworked) minor speed correction

 

24a. Winning Ugly #2 (4’56) (DAC 112) - early version, longer than #1 with additional bass

 

24b. Winning Ugly #2 (4’57) (reworked) minor speed correction, end increased by reworking the fade out

 

Notes:
Winning Ugly #3 - Dirty Work-version
Winning Ugly #4 - 7" shortened promo-version
Winning Ugly #5 - 12" London Mix, remixed by Steve Lillywhite
Winning Ugly #6 - 12" NY Nix, remixed by Francois Kevorkian

 

BACK TO ZERO
25a. Back To Zero #1 (4’25) (DAC 020) - early version

see 12a

25b. Back To Zero #1 (4’23) (reworked) speed correction, channel rebalanced, end increased by reworking the fade out

 

Notes:
Back To Zero #2 - Dirty Work-version
Back To Zero #3 - faded promo-version

 

DIRTY WORK
26a. Dirty Work #1 (4’25) (DAC 112) - instrumental

see 13a

26b. Dirty Work #1 (4’25) (reworked)

 

27a. Dirty Work #2 (4’23) (DAC 112) - early lyrics

 

27b. Dirty Work #2 (4’23) (reworked)

 

Note: Dirty Work #3 - Dirty Work-version

 

HAD IT WITH YOU
28a. Had It With You #1 & 2 (3’49) (DAC 111) - partly with very early You Can’t Cut The Mustard-lyrics; then aborted segment (#2)

Boulogne-Billancourt, Pathe Marconi Studios 5.4 -17.6 1985

28b. Had It With You #1 & 2 (3’50) (reworked)

 

29a. Had It With You #3 (2’55) (DAC 112) - early lyrics

 

29b. Had It With You #3 (2’55) (reworked)

 

Note: Had It With You #4 - ’Dirty Work’-version

 

SLEEP TONIGHT
30a. Sleep Tonight #1 (6’46) (ADW) - early version, no backing vocals

New York, RPM Studios, City 16.7-17.8 1985

30b. Sleep Tonight #1 (6’46) (reworked)

 

31a. Sleep Tonight #2 (6’50) (MF) - version #1 with additional guitars

 

31b. Sleep Tonight #2 (6’50) (reworked) minor noise reduction

 

Note: Sleep Tonight #3 - Dirty Work-version

 

 

Total time:

Comment: (artwork)

DIRTY WORK sessions (FP-097)
PART III: The sessions for the other tracks Volume 4 - 2CDr

BABY YOU’RE TOO MUCH
32a. Baby You’re Too Much #2a (5’12) (DAC 112)

New York, RPM Studios18.7 - 17.8 1985

32b. Baby You’re Too Much #2a (5’12) (reworked - FP 049) mix of DAC112 on left channel and VGP 285 on right channel (only the 3 first seconds are from the VGP version)

 

33a. Baby You're Too Much #2b (5’12) (DAC 020) - early version without sax

Boulogne-Billancourt, Pathe Marconi Studios 5.4 -17.6 1985

33b. Baby You're Too Much #2b (5’18) (reworked - FP 049) mix of DAC 020 duplicated channels and VGP 041 for the last seconds

 

34a. Baby You’re Too Much #3 (5’05) (LBcool smiley - with Bobby Keys on sax

New York, RPM Studios, City 16.7-17.8 1985

34b. Baby You’re Too Much #3 (5’14) (reworked - FP 049) with a little more treble

 

Note: Baby You’re Too Much #4 - 1993 session in St. Kildare see also Part IV

 

BESIDE YOU
35a. Beside You #2 (6’52) (DAC 159) - a/k/a I Can't See Nobody

Boulogne-Billancourt, Pathé-Marconi Studios 15.1-28.2 1985

35b. Beside You #2 (6’52) (reworked) channel rebalanced, minor noise reduced & sound amplified

 

Note: Beside You #1 see Part I

 

BREAKIN’
36a. “Breakin’“ (2’55) (DAC 112) - KR on vocals; title unsure

see 34a

36b. “Breakin’“(2’56) (reworked) drums sound decreased to increase the rest

 

Note: see also Part IV

 

CRUSHED PEARL
37a. Crushed Pearl (3’12) (GS8) - KR on vocals

see 33a.

37b. Crushed Pearl (3’12) (reworked) end increased by reworking the fade out

 

CUT YOUR THROAT
38a. “Cut Your Throat“ (5’58) (VGP 285) - KR on vocals; title unsure

 

38b. “Cut Your Throat“ (5’58) (reworked) minor noise reduction

 

DEEP LOVE
39a. Deep Love #1 (4’08) (GS 8) - KR on vocals, Chuck Leavell on drums

 

39b. Deep Love #1 (4’12) (reworked) channel rebalanced, end increased by reworking the fade out

 

Note: Deep Love #2 with MJ on vocals is unverified

 

DON’T GET MAD
40a. “Don’t Get Mad” (1’03) (ADW) - improvisation, KR on vocals

 

40b. “Don’t Get Mad” (1’04) (reworked) minor noise reduction

 

HIGH TEMPERATURE
41a. High Temperature (5’23) (VGP 285) - a Walter Jacobs and Joel Michael Cohen song with KR on vocals

 

41b. High Temperature (5’24) (reworked) minor noise reduction, some sound parts amplificated

 

IF I DON’T HAVE YOU
42a. If I Don’t Have You #1 (7’23) (VGP 285) - a Gregory Isaacs song

 

42b. If I Don’t Have You #1 seq 1a (0’31) (reworked) instrumental

 

42c. If I Don’t Have You #1 seq 1b (3’51) (reworked) KR on vocals

 

42d. If I Don’t Have You #1 seq 1c (2’09) (reworked) MJ & KR on vocals

 

43a. If I Don’t Have You #2 (7’07) (VGP 285)

 

43b. If I Don’t Have You #2 seq 1a (2’40) (reworked)

 

43c. If I Don’t Have You #2 seq 1b (4’22) (reworked)

 

Note: Both versions are in segments I choose to separate. I deleted little silent parts, used minor noise reduction; drums sound was decreased to increase the rest

Total time:

Comment: (artwork)

DIRTY WORK sessions (FP-098)
PART III: The sessions for the other tracks Volume 5 - 2CDr

LOVING YOU IS SWEETER THAN EVER
44a. Loving You Is Sweeter Than Ever #1 (6’46) (DAC 112) - a Stevie Wonder and Ivy Hunter song, much longer intro, more piano

Boulogne-Billancourt, Pathé Marconi Studios 8.4-17.6 1985

44b. Loving You Is Sweeter Than Ever #1 (6’45) (reworked) sound amplified

 

45a. Loving You Is Sweeter Than Ever #2 (6’06) (DAC 112) - a Stevie Wonder and Ivy Hunter song, more guitar

New York, RPM Studios 18.7 - 17.8 1985

45b. Loving You Is Sweeter Than Ever #2 (6’07) (reworked) accelerated by +0,43% to be synchronized with #1, minor treble reduction

 

MY BABY LEFT ME
46a. ‘My Baby Left Me’ (3’20) (DAC 112) - KR on vocals; title unsure

 

46b. ‘My Baby Left Me’ (1’49) (reworked) This recording is a short sequence repeated two times! I kept only the first one, more complete, for the start then I added the end of the second sequence. I amplified the sound particularly in the more musical parts and decreased the larsen in the middle of the track.

 

SENDING OUT INVITATIONS
47a. Sending Out Invitations (16’05) (MF) - a/k/a ‘Invitation’ with Bobby Womack & Don Covay on vocals; as "side-project" The Podiums

 

47b. Sending Out Invitations (15’52) (reworked) minor noise reduction, sound amplified

 

SHE NEVER LISTEN TO ME
48a. She Never Listens To Me (7’32) (VGP 285) - KR on vocals

Boulogne-Billancourt, Pathé-Marconi Studios 5.4 - 17.6 1985, rehearsals

48b. She Never Listens To Me (7’30) (reworked)

 

SOME OF US ARE ON OUR KNEES
49a. Some Of Us Are On Our Knees (5’38) (DAC 112) - KR on vocals

see 44a

49b. Some Of Us Are On Our Knees (5’40) (reworked) minor sound amplification

 

STICK IT WHERE IT HURTS
50a. Stick It Where It Hurts (5’35) (DAC 159) - RW on guide vocals

see 48a

50b. Stick It Where It Hurts (5’37) (reworked) minor sound amplification

 

STRICTLY MEMPHIS
51a. Strictly Memphis #1 (8’09) (DAC 112) - only MJ on lead vocals, early lyrics

see 48a

51b. Strictly Memphis #1 (8’10) (reworked) treble decreased

 

52a. Strictly Memphis #3 (3’45) (DAC 020) - first duet-version (w. Bobby Womack)

New York, RPM Studios 16.7-17.8 1985

52b. Strictly Memphis #3 (3’43) (reworked) minor speed correction to be synchronized with #1, end increased by reworking the fade out

 

53a. Strictly Memphis #4 (3’50) (DAC 020) - version #3 with extra vocals

 

53b. Strictly Memphis #4 (3’51) (reworked) minor speed correction to be synchronized with #1, end increased by reworking the fade out

 

Strictly Memphis#2 only with MJ on lead vocals, later used as demo for Primitive Cool is unverified
See also Part IV

 

 

Total time:

Comment: (artwork)

DIRTY WORK sessions (FP 099)
PART III: The sessions for the other tracks Volume 6 - 2CDr

TALK IS CHEAP
54a. Talk Is Cheap (11’29) (DAC 159) - KR on vocals

Boulogne-Billancourt, Pathé-Marconi Studios 5.4 - 17.6 1985

54b. Talk Is Cheap (11’30) (reworked) minor sound amplification

 

TREAT ME LIKE A FOOL
55a. Treat Me Like A Fool #1 (3’23) (DAC 112) - KR on vocals; just the refrain repeated over and over

 

55b. Treat Me Like A Fool #1 (3’09) (reworked) drums sound decreased to increase the rest

 

56a. Treat Me Like A Fool #2 (2’18) (DAC 112) - KR on vocals; just the refrain, repeated over and over, broken off

 

56b. Treat Me Like A Fool #2 (1’47) (reworked), I only kept the music parts, drums sound decreased to increase the rest

 

57a. Treat Me Like A Fool #3 (6’43) (DAC 112) - KR on vocals

 

57b. Treat Me Like A Fool #3 (6’44) (reworked)

 

VICTOR HUGO
58a. Victor Hugo (3’55) (DAC 159) - KR on vocals

 

58b. Victor Hugo (3’52) (reworked) sound amplification particularly at the first part of the song, noises at the end deleted

 

WHAT AM I GONNA DO WITH YOUR LOVE
59a. What Am I Gonna Do With Your Love #2 (5’32) (GS 8) - with extra backing vocals

 

59b. What Am I Gonna Do With Your Love #2 (5’37) (reworked) channel rebalanced, intro from DAC 159

 

What Am I Gonna Do With Your Love #1 - unverified version without backing vocals
Is not the same reworked version as on the FP 049 (where I used the DAC 159 version)
See also Part IV

 

WHAT AM I SUPPOSED TO DO
60a. What Am I Supposed To Do (15’24) (DAC 159) - KR, Bobby Womack and Don Covay on vocals

 

60b. What Am I Supposed To Do (15’24) (reworked – FP049) channel rebalanced, sound amplified on some parts.

 

WHAT YOU’RE GONNA TELL YOUR BOYFRIEND
61a. What You're Gonna Tell Your Boyfriend (5’16) (DAC 112) - KR on vocals; sounds like a VERY early version of ‘Sleep Tonight’

 

61b. What You're Gonna Tell Your Boyfriend (5’16) (reworked) end increased by reworking the fade out

 

WHO’S SHAGGING WHO
62a. Who’s Shagging Who (2’08) (DAC 112) - jam with improvised vocals by KR

 

62b. Who’s Shagging Who (2’10) (reworked) drums sound decreased to increase the rest

 

YOU CAN’T CUT THE MUSTARD
63a. You Can’t Cut The Mustard #1 (3’59) (DAC 159) - very early version of ‘Had It WithYou’ with different lyrics, KR on vocals

 

63b. You Can’t Cut The Mustard #1(4’00) (reworked) channel rebalanced, sound amplificated

 

64a. You Can’t Cut The Mustard #2 (3’12) (DAC 159) KR and RW on vocals

 

64b. You Can’t Cut The Mustard #2 (3’13) (reworked) channel rebalanced, sound amplificated

 

65a. You Can’t Cut The Mustard #3 (0’32) (DAC 159) - instrumental segment

 

65b. You Can’t Cut The Mustard #3 (0’32) (reworked)

 

YOU GOT IT
66a. “You Got It“ (2’56) (DAC 112) - KR on vocals; title unsure

 

66b. “You Got It“ (2’59) (reworked) drums sound decreased to increase the rest

 

 

Total time:

Comment: (artwork)

DIRTY WORK sessions (FP-100)
PART IV: Taped through the windows Volume 7 - 2CDr

1a. Breakin I

Boulogne-Billancourt, Marconi Studios 5.4-17.6 1985, rehearsals

2a. Breakin II

 

3a. Fight I

 

4a. Fight II

 

5a. Fight III

 

6a. Fight IV

 

7a. Fight V

 

8a. Fight VI

 

9a. Fight VII

 

10a. One hit I

 

11a. One hit II

 

12a. One hit III

 

13a. One hit IV

 

14a. One hit V

 

15a. One hit VI

 

16a. One hit VII

 

17a. Putty In Your Hands I

 

18a. Putty In Your Hands II

 

19a. Putty In Your Hands III

 

20a. Putty In Your Hands IV

 

21a. Putty In Your Hands V

 

22a. She never listens to me I

 

23a. She never listens to me II

 

24a. She never listens to me III

 

 

Total time:

1b. Breakin' #1 (reworked)

Boulogne-Billancourt, Marconi Studios 5.4-17.6 1985, rehearsals

2b. Breakin' #2 (reworked)

 

3b. Fight #1 (reworked)

 

4b. Fight #2 (reworked)

 

6b. Fight #4 (reworked)

 

7b. Fight #5 (reworked)

 

8b. Fight #6 (reworked)

 

9b. Fight #7 (reworked)

 

10b. One Hit #1 (reworked) -8,2

 

11b. One Hit #2 (reworked) -8,2%

 

12b. One Hit #3 (reworked) -8,2%

 

13b. One Hit #4 (reworked) -8,2%

 

14b. One Hit #5 (reworked) -8,2%

 

15b. One Hit #6 (reworked) -8,2%

 

16b. One Hit #7 (reworked) -8,2%

 

17b. Putty In Your Hands #1 (reworked)

 

18b. Putty In Your Hands #2 (reworked)

 

19b. Putty In Your Hands #3 (reworked)

 

20b. Putty In Your Hands #4 (reworked)

 

21b. Putty In Your Hands x (reworked)

 

22b. She Never Listens To Me #1 (reworked)

 

23b. She Never Listens To Me #2 (reworked)

 

24b. She Never Listens To Me #3 (reworked)

 

 

Total time:

Comment: (artwork)

DIRTY WORK sessions (FP-101)
PART IV: Taped through the windows Volume 8 - 2CDr

25a. She never listens to me IV

Boulogne-Billancourt, Marconi Studios 5.4-17.6 1985, rehearsals

26a. She never listens to me V

 

27a. Strictly Memphis I

 

28a. Strictly Memphis II

 

29a. Strictly Memphis III

 

30a. Strictly Memphis IV

 

31a. Strictly Memphis V

 

32a. Strictly Memphis VI

 

33a. Strictly Memphis VII

 

34a. Strictly Memphis VIII

 

35a. Strictly Memphis IX

 

36a. Strictly Memphis X

 

37a. What Am I Gonna Do With Your Love I

 

38a. What Am I Gonna Do With Your Love II

 

39a. What Am I Gonna Do With Your Love III

 

40a. You re too much I

 

41a. You re too much II

 

42a. You re too much III

 

43a. You re too much IV

 

44a. Key To The Highway I

 

45a. Key To The Highway II

 

46a. Rock Blues

 

47a. These Arms Of Mine (extract)

 

 

Total time:

25b. She Never Listens To Me #4 (reworked)

Boulogne-Billancourt, Marconi Studios 5.4-17.6 1985, rehearsals

26b. She Never Listens To Me #5 (reworked)

 

27b. Strictly Memphis #1 (reworked)

 

28b. Strictly Memphis #2 (reworked)

 

29b. Strictly Memphis #3 (reworked)

 

30b. Strictly Memphis #4 (reworked)

 

31b. Strictly Memphis #5 (reworked)

 

32b. Strictly Memphis #6 (reworked)

 

33b. Strictly Memphis #7 (reworked)

 

34b. Strictly Memphis #8 (reworked)

 

35b. Strictly Memphis #9 (reworked)

 

36b. Strictly Memphis #10 (reworked)

 

37b. What Am I Gonna Do With Your Love #1 (reworked)

 

38b. What Am I Gonna Do With Your Love #2 (reworked)

 

39b. What Am I Gonna Do With Your Love #3 (reworked)

 

40b. You re too much # 1 (reworked)

 

41b. You re too much # 2 (reworked)

 

42b. You re too much # 3 (reworked)

 

43b. You re too much # 4 (reworked)

 

44b. Key To The Highway #1 (reworked)

 

45b. Key To The Highway #2 (reworked)

 

46b. Rock Blues Jam (reworked)

 

47b. These Arms Of Mine (reworked)

 

 

Total time:

Comment: (artwork)

Comment: (artwork)

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