SOME GIRLS sessions (FP 077) - 2CDr

1 – MISS YOU
1a - Miss You #1 (1’53) (OBR) - instrumental

Boulogne Billancourt, Pathé Marconi Studios 10.10-29.11 & 6-15.12 1977 & 5-29.1 & early Feb.-2.3 1978

1b. Miss You #1 (reworked) decelerated by 2,8%, slightly different from FP 052

 

2a. Miss You #2 (11’57) (DAC 117) - very long, early vocals

 

2b. Miss You #2 (11’53) (reworked) accelerated by 0,6%, count in from DAC 097

 

3a. Miss You #3 (7’35) (DAC 106) - without sax and harmonica

 

3b. Miss You #3 (7’32) (reworked) accelerated by +0,58%

 

4a. Miss You #4 (8’51) (DAC 097) - extended version of III, with sax and harmonica

 

4b. Miss You #4 (8’46) (reworked) accelerated by 1%

 

2 – WHEN THE WHIP COMES DOWN
5a. When The Whip Comes Down #1 (10’07) (DAC 114) - early lyrics, no backing vocals

 

5b. When The Whip Comes Down #1 (10’07) (reworked) and intro from Vigotone 12 (decelerated by -1,9%)

 

6a. When The Whip Comes Down #2 (10’05) (DAC 097) - additional backing vocals and pedal steel guitar

 

6b. When The Whip Comes Down #2 (10’05) (reworked)

 

7a. When The Whip Comes Down #3 (6’17) (DAC 097) - shortened version II

 

7b. When The Whip Comes Down #3 (6’17) decelerated by -0,15%

 

3 – JUST MY IMAGINATION (Running Away With Me)
8a. Just My Imagination #1 (6’21) (ACT 17-01) - run-through, without organ

 

8b. Just My Imagination #1 (6’21) (reworked)

 

9a. Just My Imagination #2 (2’51) (OBR) - run-through, with hammond organ and lots of improvised lyrics

 

9b. Just My Imagination #2 (2’50) (reworked)

 

10a. Just My Imagination #3 (6’51) (DAC 097) - basic track with all instruments & backing vocals; "look through my window" version

 

10b. Just My Imagination #3 (6’53) (reworked) accelerated by +0,4% count in from «Genius Is Pain» (after accelerating by 8%)

 

11a. Just My Imagination #4 (6’44) (DAC 097) - final unedited track

 

11b. Just My Imagination #4 (6’40) (reworked) accelerated by 1%

 

 

Total time:

Comment: (artwork)

SOME GIRLS sessions (FP 078)- 2CDr

4 – SOME GIRLS
12a. Some Girls #1a (5’34) (King Kong Production KKP 02) - primitive version

Boulogne Billancourt, Pathé Marconi Studios 10.10-29.11 & 6-15.12 1977 & 5-29.1 & early Feb.-2.3 1978

12b. Some Girls #1a (5’12) (reworked) accecelerated by 7%, equalized & duplicated, gap removed in the intro and a 1 second patch (from #1b) to fill the gap at 1’10

 

13a. Some Girls #1b (DAC 106) (6’33) - long version with extra guitars and harmonica and a spoken part at the end)

 

13a. Some Girls #1b (6’33) (reworked)

 

5 – LIES
14a. Lies #1 (4’43) (ACT 17-10) - with guide vocals, three guitars incl. one slide guitar

 

14b. Lies #1 (4’43) (reworked) noise reduced and amplified

 

15a. Lies #2 (3’40) (ACT 17-03) - with guide vocals, two guitars plus one pedal steel

 

15b. Lies #2 (3’41) (reworked) noise reduced and amplified

 

16a. Lies #3 (4’16) (DAC 114) - three guitars, very early lyrics ("why?")

 

16b. Lies #3 (4’16 ) (reworked)

 

17a. Lies #4 (3’46) (DAC 114) - early version with "ts ts" microphone-check before count in

 

17a. Lies #4 (3’46) (reworked)

 

18a. Lies #5 (3’55) (DAC 106) - extended of version #6

 

18a. Lies #5 (3’56) (reworked) decelerated by -0,2%

 

6 – FAR AWAY EYES
19a. Far Away Eyes #1 (5’06) (DAC 114) - early lead vocals, no backing vocals

 

19b. Far away Eyes #1 (5’09) (reworked) decelerated by -0,9%

 

20a. Far Away Eyes #2 (5’18) (DAC 097) - finished vocals, different pedal steel solo

 

20b. Far Away Eyes #2 (5’21) (reworked) decelerated by -0,5%

 

7 – RESPECTABLE
21a. Respectable #1 (3’54) (DAC 114) - very early, with count in

 

21b. Respectable #1 (3’54) ( reworked) decelerated by -0,1%

 

22a. Respectable #2 (3’55) (DAC 106 ) - early version

 

22b. Respectable #2 (3’55) (reworked)

 

8 – BEFORE THEY MAKE ME RUN
23a. Before They Make Me Run #1 (4’42) (DAC 106) - very early lyrics

 

23b. Before They Make Me Run #1 (4’41) (reworked) accelerated by +0,1%

 

24a. Before They Make Me Run #2 (4’54) (DAC 106) - early lyrics, very long fade out

 

24b. Before They Make Me Run #2 (4’54) (reworked)

 

9 – BEAST OF BURDEN
25a. Beast Of Burden #1 (5’07) (DAC 106) - with falsetto vocals

 

25b. Beast Of Burden #1 (5’07) (reworked)

 

10 – SHATTERED
26a. Shattered #1 (ACT 17-08) (2’22) - shorter instrumental, truncated start

 

26b. Shattered #1 (2’27 ) (reworked) decelerated by -3,863%, equalized

 

27a. Shattered #2 (3’22) (DAC 097) - longer instrumental

 

27b. Shattered #2 (3’19) (reworked) accelerated by +2,2%

 

28a. Shattered #3 (3’44) (DAC 097) - nearly instrumental, with ghost vocals

 

28b. Shattered #3 (3’44) (reworked): decelerated by -0,25%, + 0,0010 second on right channel

 

 

Total time:

Comment: (artwork)

SOME GIRLS sessions (FP 079) - 2CDr

11 - CLAUDINE
29a. Claudine #1 (7’33) (DAC 097) - slow version

Boulogne Billancourt, Pathé Marconi Studios 10.10-29.11 & 6-15.12 1977 & 5-29.1 & early Feb.-2.3 1978

29b. Claudine #1 (7’35) (reworked) Channel re-balancing, slightly amplified introduction

 

30a. Claudine #2 (3’35) (DAC 096) - rock'n'roll version, closer the ‘Some Girls‘ deluxe version but starts with «Claudine»&ldots; and the official with «Now Claudine&ldots;»

 

30b. Claudine #2 (3’35) (reworked) accelerated by +0,720%

 

12 – SO YOUNG
31a. So Young #1 (DAC ) (3’00) - with early lyrics/vocals

 

31b. So Young #1 (2’57) (reworked) accelerated by +0,630% then mixed for the last 7 seconds with SODD 032/033 (more complete) after decelerating by -1%

 

13 - DO YOU THINK I REALLY CARE
32a. Do You Think I Really Care #1 (6’16) (DAC 103) - pedal steel version

 

32b. Do You Think I Really Care #1 (6’15) (reworked) accelerated by +0,4%

 

33a. Do You Think I Really Care #2 (6’11) (DAC 114) - guitar version with more piano

 

33b. Do You Think I Really Care #2 (6’12) decelarated by -0,22%

 

14 - WHEN YOU’RE GONE
34a. When You're Gone #1 (2’19) (ACT 17-06) - instrumental (a/k/a Redeyes)

 

34b. When You're Gone #1 (reworked) end amplified, slightly noise reduction

 

35a. When You're Gone #2 (4’10) (DAC 103) - with early vocals/lyrics

 

35b. When You're Gone #2 (4’07) (reworked) accelerated by +1,1%, noise reduction in the outro

 

15 - NO SPARE PARTS
36a. No Spare Parts #1 (6’10) (DAC 105) - with early vocals and pedal steel guitar

 

36b. No Spare Parts #1 (6’09) (reworked) accelerated by +0,2%, equalized, little defect at the end deleted.

 

16 - DON’T BE A STRANGER
37a. Don’t Be A Stranger #1 (5’24) (DAC 105) - early lyrics, under the title Do You Get Enough

 

37b. Don’t Be A Stranger #1 (5’21) (reworked) accelerated by +0,9%

 

 

Total time:

Comment: (artwork)

SOME GIRLS sessions (FP 080) - 2CDr

17 - WE HAD IT ALL
38a - We Had It All #1 (2’55) (DAC 108) - without harmonica

Boulogne-Billancourt, Pathé Marconi Studios 10.6-7.7 & laye July - 25.8 & 12.9-19.10 1979

38b - We Had It All #1 (2’54) (reworked) accelerated by +0,380%

 

39a - We Had It All #2 (2’48) (DAC 159) - version I with harmonica

 

39b - We Had It All #2 (2’53) (reworked) decelerated by -2,95%

 

40a - We Had It All #3 (2’55) (DAC 108) - more worked version

 

40b - We Had It All #3 (2’54) (reworked) accelerated by +0,620

 

18 - THALLAHASSEE LASSIE
41a - Tallahassee Lassie #1 (2’37) (IMP-N-001)

Los Angeles, RCA Studios 26.8-6.9 1978

41b - Tallahassee Lassie #1 (2’40) (reworked) decelerated by -1,85% slightly noise reduction

 "

19 - I LOVE YOU TOO MUCH
42a - I Love You Too Much #1 (4’44) (DAC 097) - high energy version a/k/a I Can’t Help It

 

42b - I Love You Too Much #1 (4’53) (reworked) decelerated by -3,2%

 

43a - I Love You Too Much #2 (3’16) (DAC 097) - shorter and slower early version

 

43b - I Love You Too Much #2 (3’45) (reworked) The «Genius Is Pain – NS 001» version which has an almost complete end was added to the DAC version after 2’48 which was missing the last 30 seconds

 

44a - I Love You Too Much #3 (3’47) (DAC 106) - instrumental, with acoustic guitar

 

44b - I Love You Too Much #3 (3’47) (reworked)

 

45a - I Love You Too Much #4 (4’10) (DAC 103) - with backing vocals and more lyrics

 

45a - I Love You Too Much #4 (4’10) (reworked)

 

20 - KEEP UP BLUES
46a - Keep Up Blues #1 (4’57) (DAC 103) - early version a/k/a Some People Tell Me

 

46b - Keep Up Blues #1 (4’57) (reworked) accelerated by +0,4%

 

21 – YOU WIN AGAIN
47a - You Win Again #1 (3’30) (DAC105) - with early vocals

 

47b - You Win Again #1 (3’30) (reworked) accelerated by +0,2%

 

22 – PETROL BLUES
48a - Petrol Blues #1 (3’51) (DAC 105) - STU on drums (a.k.a. Petrol or Petrol Gang)

 

48b - Petrol Blues #1 (3’47) (reworked) accelerated by +2%

 

 

Total time:

Comment: (artwork)

SOME GIRLS sessions (FP 081) - 2CDr

23 – A DIFFERENT KIND
49a. A Different Kind (6’07) (DAC 114) - instrumental

Boulogne Billancourt, Pathé Marconi Studios 10.10-29.11 & 6-15.12 1977

49b. A Different Kind (6’07) (slightly reworked)

 

24 – AFTER HOURS/SHEEP DIP BLUES
I think that «Sheep Dip Blues» is the beginning of a take that will evolve to become «After Hours»
50a. Sheep Dip Blues (0’32) (DAC 104) - instrumental

 

50b. Sheep Dip Blues (0’35) (reworked)

 

51a. After Hours (5’04) (DAC 105) - instrumental

 

51b. After Hours (5’00) (reworked in the end)

 

25 – ARMPIT BLUES
52a. Armpit Blues (2’39) (DAC 103) - instrumental

 

52b. Armpit Blues (2’39) (slightly reworked)

 

26 – BLUES JAM
53a. Blues Jam (4’22) (ACT 17-13) - instrumental

 

53b. Blues Jam (4’22) (reworked)

 

27 – YOU DON’T WANT TO GO/BROKEN HEAD BLUES
I think that «Broken Head Blues» is the beginning of «You Don’t Have To Go»
54a. You Don’t Have To Go #1 (a/k/a Broken Head Blues) (2’12) (DAC 104) - instrumental

 

55a. You Don’t Have To Go #2 (5’25) (ACT 17-12)

 

55b. You Don’t Have To Go #2 (5’34) (reworked) decelerated by -2,7% to be synchronized with DAC 103 which is incomplete

 

55c. You Don’t Have To Go #2 (5’36) (reworked) mix with ACT 17-12 (speed adjusted) intro reworked; an attempt to get a more complete version with better sound

 

28 – BROKEN TOE
56a. Broken Toe (1’57) (DAC 104) - instrumental; probably also known under the title BT

 

56b. Broken Toe (2’02) (reworked)

 

29 – BROWN LEAVES
57a. Brown Leaves #2 (2’50) (ACT 17-11) - instrumental version of Dancing Girls (short) a/k/a Brown Smear

 

57b. Brown Leaves #2 (2’54) (reworked) decelerated by -2,4% to be synchronized with DAC 104

 

58a. Brown Leaves #3 (6’13) (DAC 104) - instrumental version of Dancing Girls (longer); a.k.a. under the working title Brown Smear

 

58b. Brown Leaves #3 (5’33) (reworked) too slow, I accelerated by 10% (but I’m not sure that’s the good speed!)

 

30 – DISCO MUSIC
59a. Disco Music (5’36) (DAC 105) - a/k/a Disco Muzik

 

59b. Disco Music (5’36) (reworked) low segment at around 4’ amplified

 

31 – EVERLASTING IS MY LOVE
60a. Everlasting Is My Love Version #1 (4’12) (DAC 103) - no falsetto vocals

 

60b. Everlasting Is My Love Version #1 (4’12) (reworked)

 

61a. Everlasting Is My Love #2 (3’50) (DAC 105) - with falsetto vocals and slide guitar

 

61b. Everlasting Is My Love #2 (3’50) (reworked) equalized

 

62a. Everlasting Is My Love #3 (5’03) (DAC 105) - with falsetto vocals, count in and ac gtr

 

62b. Everlasting Is My Love #3 (5’03) (reworked)

 

32 – EVERYTHING IS TURNING TO GOLD
63a. Everything Is Turning To Gold #1 (9’49) (DAC 103) - long version

 

63b. Everything Is Turning To Gold #1 (9’49) - (reworked) beginning and end reworked

 

64a. Everything Is Turning To Gold #2 (4’28) (DAC 114) - extended #3

 

64b. Everything Is Turning To Gold #2 (4’29) (reworked)

 

 

Total time:

Comment: (artwork)

SOME GIRLS sessions (FP 082) - 2CDr

33 – FIJI JIM
65a. Fiji Jim #1 (4’05) (DAC 114) - a/k/a Fiji Gin

Boulogne Billancourt, Pathé Marconi Studios 10.10-29.11 & 6-15.12 1977

65b. Fiji Jim #1 (4’05) (reworked)

 

66a. Fiji Jim #2 (4’03) (DAC 104) - with additional lead guitar in the intro

 

66b. Fiji Jim #2 (4’03) (reworked)

 

34 - GOLDEN CADDY
67a. Golden Caddy #1 (1’58) (DAC 114) - short instrumental version of Part Of The Night

 

67b. Golden Caddy #1 (1’58) (reworked)

 

68a. Golden Caddy #2 (3’15) (DAC) - long instrumental version of Part Of The Night

 

68b. Golden Caddy #2 (3’17) (reworked) extended end

 

35 – GUESS I SHOULD KNOW
69a. Guess I Should Know (4’19) (VGP 362)

 

69b. Guess I Should Know (4’21) (reworked)

 

36 – IT WONT BE LONG
70a. It Won't Be Long #1 (2’40) (DAC 114) - rough version, less instruments

 

70b. It Won't Be Long #1 (2’40) (reworked) slightly noise reduction applied

 

71a. It Won’t Be Long #2 (5’31) (DAC 107) - with additional keyboards (xylophone-sound)

 

71a. It Won’t Be Long #2 (5’31) (reworked) slightly noise reduction applied

 

37 – IT’S ALL WRONG
72a. It's All Wrong (3’38) (DAC 105)

 

72b. It's All Wrong (3’38) (reworked) slightly refocused

 

38 – JUST BECAUSE I TOLD YOU
73a. Just Because I Told You (3’41) (DAC 114) - a/k/a I Need You

 

73b. Just Because I Told You (3’41) (reworked)

 

39 – LIGHT UP
74a. Light Up (5’02) (DAC 114) - instrumental

 

74b. Light Up (5’02) (reworked)

 

40 – LOS TRIOS GUITAROS
75a. Los Trios Guitaros (3’18) (DAC 104) - instrumental a/k/a Silver Coated Nails, a/k/a Tall & Slender Blondes

 

75b. Los Trios Guitaros (3’19) (reworked)

 

41 - MUCK SPREADING DUB
76a. Muck Spreading Dub (3’20) (DAC 103) - instrumental

 

76b. Muck Spreading Dub (3’20) (reworked)

 

42 – MUNICH HILTON
77a. Munich Hilton # 1 (6’50) (DAC 103) - drums more percussive and slide guitar

 

77b. Munich Hilton # 1 (6’59) (reworked) I added the little intro of VGP 362

 

78a. Munich Hilton #2 (3’59) (ACT 17-04) - instrumental

 

78b. Munich Hilton #2 (4’09) (reworked) equalized, noise reduced, amplified and decelerated by -3,863%*

 

79a. Munich Hilton #3 (5’59) (ACT 18-05) - instrumental

 

79b. Munich Hilton #3 (6’03) (reworked) noise reduced, decelerated by -3,863%*

 

80a. Munich Hilton #4 (4’04) (ACT 17-05) - instrumental, instruments added (gtr, hi-hat)

 

80b. Munich Hilton #4 (4’11) (reworked) noise reduced, decelerated by -3,863%*

 

81a. Munich Hilton #5 (10’41) (VGP 370) - slower and longer instrumental, with additional electric piano

 

81b. Munich Hilton #5 (10’44) (reworked) decelerated by -0,4% to be synchronized with the last seconds from DAC 114

 

* The speed on ACT is way too fast, I tried the same speed reduction (-3,863%) as done in some ‘Undercover Sessions’ tracks but I had no certainty.

 

I’m also not sure of the chronology of these different takes.

 

 

Total time:

Comment: (artwork)

SOME GIRLS Sessions Vol 07 - FP 083 - 2CDr

43 – NEVER LET HER GO
82a. Never Let Her Go (4’55) (DAC 105)

Boulogne Billancourt, Pathé Marconi Studios 10.10-29.11 & 6-15.12 1977

82b. Never Let Her Go (4’55) (reworked)

 

44 – NEVER MAKE YOU CRY
83a - Never Make You Cry #1 (4’49) (DAC 103) - MJ announces chord changes

 

83b - Never Make You Cry #1 (4’50) (reworked)

 

84a - Never Make You Cry #2 (4’03) (DAC 105) - with additional electric piano

 

84b - Never Make You Cry #2 (4’04) (reworked)

 

45 – SHAME SHAME SHAME
85a. Shame, Shame, Shame (4’01) (DAC 103)

 

85b. Shame, Shame, Shame (4’01) (reworked)

 

46 – STAY WHERE YOU ARE
86a. Stay Where You Are (2’59) (ACT 17-09) - instrumental

 

86b. Stay Where You Are (3’02) (reworked) decelerated by -2,25% to be synchronized with DAC 104

 

86c. Stay Where You Are (3’02) ACT version including a mix with DAC 104 from 0’05 to 0’55s

 

47 – SUMMER ROMANCE
87a. Summer Romance #1 (5’39) (DAC 108-1) - early lyrics, very aggressive

Boulogne-Billancourt, Pathé Marconi Studios 5-29.1 & early Feb.-2.3 1978

87b. Summer Romance #1 (5’39) (reworked)

 

88a. Summer Romance #2 (4’48) (DAC 108-2) - early lyrics

 

88b. Summer Romance #2 (4’47) (reworked)

 

48 – UP AGAINST THE WALL
89a. Up Against The Wall (4’04) (DAC 104) - instrumental

see 1

89b. Up Against The Wall (6’25) (reworked) mix of DAC 104 & VGP 362

see 1

49 – THE WAY SHE HELD ME TIGHT
90a. The Way She Held Me Tight (4’38) (DAC 114) a/k/a Misty Roads

see 1

90b. The Way She Held Me Tight (4’38) (reworked) beginning reworked

see 1

50 – WHAT GIVES YOU THE RIGHT
91a. What Gives You The Right #1 (6’36) (DAC 103) - early version with pedal steel a/k/a Someone Know

see 1

91b. What Gives You The Right #1 (6’36) (reworked)

see 1

 

Total time:

Comment: (artwork)

SOME GIRLS Sessions Vol 08 - FP 084 - 2CDr
Some tracks from this sessions were used later to create «Tattoo You».
They’re already on the «Tattoo You Sessions» (FP 062 – 065) but as I tried to do a more complete collection
I added them here&ldots; but as a last volume so if you already have them you can choose to keep them or not in this collection.
PART IV: The tracks used for TATTOO YOU

BLACK LIMOUSINE(cf. FP 074)
93a. Black Limousine #2a (3’22) (DAC 104) - early lyrics, rare intro

Boulogne Billancourt, Pathé Marconi Studios 10.10-29.11 & 6-15.12 1977

93b. Black Limousine #2a (3’22) (reworked)

 

94a. Black Limousine #2b (3’40) (ACT 17-05) - early lyrics, starts by a wrong sequence

 

94b. Black Limousine #2b (3’36) (reworked) decelerated by -2,25%, wrong start deleted

 

95a. Black Limousine #3 (4’11) (DAC 105) - early lyrics, usual intro

 

95b. Black Limousine #3 (4’11) (reworked) decelerated by -0,342%

 

HANG FIRE (cf. FP 072)
96a. Hang Fire #1 (3’21) (ACT 17-07) - instrumental

 

96b. Hang Fire #1 (3’21) (reworked)

 

97a. Hang Fire #2a (6’33) (DAC 114) - early lyrics («Lazy Bitch»)

 

97b. Hang Fire #2a (6’33) (reworked)

 

98a. Hang Fire #2b (6’21) (DAC 105) – count in, early lyrics («Lazy Bitch»)

Paris, Pathe Marconi Studios 5-29.1 & Feb.-15.3 1978

98b. Hang Fire #2b (6’21) (reworked)

 

99a. Hang Fire #3 (6’47) (DAC 114) - long intro, piano, early lyrics, different version

 

99b. Hang Fire #3 (6’47) (reworked)

 

LITTLE T & A (cf. FP 074)
100a. Little T & A #1 (2’07) (OBR) - embryonic instrumental version

see 1

100b. Little T & A #1 (2’07) (reworked)

see 1

START ME UP (cf. FP 072)
101a. Start Me Up #1 (4’54) (DAC 107) - Reggae-ish version, under the title Never Stop 101b - Start Me Up #1 (4’55) (reworked)

see 1

102a. Start Me Up #2 (3’54) (DAC 097) - very early version, less lyrics, no backing vocals

see 1

102b. Start Me Up #2 (3’57) (reworked) decelerated by 0,96%

see 1

102c. Start Me Up #2 mix DAC 021 & RS

see 1

103a. Start Me Up #3 (3’48) (DAC 021) - early version, with backing vocals but no lead gtr

see 1

103b. Start Me Up #3 (3’48) (reworked)

see 1

 

Total time:

Comment: (artwork)

SOME GIRLS Sessions VOl. 9(FP 109a)
Additional volume

104a. When The Whips Comes Down #2b (10’07) - close to #2 (cf. track 06 on FP 077) but with a clearer sound and a more complete outro.

 

104b. When The Whips Comes Down #2b (10’08) (reworked) - slight treble reduction and bass boost, channel balancing (+20% to the right), some parts amplified.

 

105a. Just My Imagination #2b (6’50) - same version as track 09 on FP 077 which was edited (2’50), this one had a better sound and it’s complete.

 

105b. Just My Imagination #2b (6’50) (reworked)

 

106a. Just My Imagination#3b (6’54) - same as track 10 from FP 77 but with a different stereo mix and more separated channels, fade in longer.

 

106b. Just My Imagination #3b (6’54) (reworked)

 

107a. Just My Imagination#4b (6’44) - same as track 11 from FP 077 but with a complete intro and a slightly longer outro (4 more seconds).

 

107b. Just My Imagination#4b (6’44) (reworked)

 

108a. Beast Of Burden #1 (5’46) - two guitars, longer as the FP 078 version

 

108b. Beast Of Burden #1 (5’46) (reworked) slighty more treble, duplicated

 

Note : on track 25 in the FP 78 version are
3 guitars : this version with 2 guitars must be an earlier take. The version on FP 78 must be considerated now as the version #2 ! Is also prolonged by an echo effect (dub style) which is removed on the version of FP 078.

109a. Some Girls #1a2 (5’33) - closer track 12 from FP 078 with a slightly longer intro and outro

 

109b. Some Girls #1a2 (5’26) (reworked) drop out from the intro patched with a segment from the #1b, speed corrected

 

Note : Because the tape runs with a fluctuating/variable speed (from around +2,75% in the beginning to -0,43% at the end) I had to correct the speed by segments of around 30 seconds&ldots;

110a. Tallahassee Lassie #1b (2’32) (EXR 19/20 'One Night With Tallahassee Lassie') - different intro (drums) and a better sound as the track 41 from FP 080

 

110a. Tallahassee Lassie #1b (2’35) (reworked) decelerated by -1%

 

Note : I don’t know why I did’t use this one in the first post&ldots; (I had it as a silver!)

111a. Disco Music #1b1 (5’55) - 20 sec longer intro than track 59 from FP 081

 

111b. Disco Music #1b1 (5’56) (reworked) - mix : intro (decelerating by -0,75%) added at the track 59.

 

Total time:

Comment: (artwork)

SOME GIRLS Sessions VOl. 10 (FP 109b)
Additional volume

112a. Disco Music #1b2 (5’10) - same as track 59 until 4’ then different end

 

112b. Disco Music #1b2 (5’10) (reworked) - slight treble reduction and bass boost, channel balancing (+5% to the left), duplicated.

 

113a. Everything Is Turning To Gold #2b (4’30) - sounds clearer than track 64 from FP 081.

 

113b. Everything Is Turning To Gold #2b (4’30) (reworked)

 

114a. Just Because I Told You #1b (3’39) - with slide guitar more present than on track 73 from FP 082

 

Channel equilibration +20% to the right, sound amplified

 

114b. Just Because I Told You #1b (3’39) (reworked) using a 10 seconds patch from track 73 from FP 082 from 2’56 to 3’06 (I received here another big help from BT2G)

 

115a. Shame Shame Shame 1b (3’52) (DAC 203) - stereo version (track 085 from FP 083 was in mono)

 

115b. Shame Shame Shame 1b (3’59) (reworked) I added the intro and the last second present on the track 085, duplicated

 

Note : When I ‘worked’ on the compilation this DAC number was not published !

116a. Hang Fire #3b (6’44) - with a complete intro and not faded in as on track 099 from FP 084

 

116b. Hang Fire #3b (6’47) (reworked) duplicated and speed corrected

 

Note : Because the tape runs with a fluctuating/variablespeed (from around -0,5% to +0,1% at the end) I had to correct the speed by segments of around 30 seconds&ldots;

B°) Addition from « Fully Finished Outtakes»

Total time:

117a - Every Time I Break Her Heart (7’08) - sounds in parts like ‘Far Away Eyes’, but uses a different vocal melody and totally different lyrics

Boulogne Billancourt (near Paris), Pathé Marconi Studios 10.10-29.11 & 6-15.12 1977

117b - Every Time I Break Her Heart (7’08) (reworked)

 

118a - Fiji Jim #3 (3’43) - without lead guitar in the intro, with additional (second) rhythm guitar and more polished vocals

 

118b - Fiji Jim (3’44) (mix) - left channel FF version, right chanel track 66 from FP 082 (accelerated by 0,3%)

 

119a - Never Make You Cry #3 (4’32) - shorter as #2, with more developed vocals/lyrics

 

119b - Never Make You Cry (4’32) (mix) - left channel FF version, right chanel track 23 FP 083 (accelerated by 0,8%)

 

120a - You Win Again #2 (3’25) - a Hank Williams song, new mix, with redone vocals

 

120b - You Win Again (3’25) (mix) - left channel FF version, right chanel track 47 from FP 080 (decelerated by -0,27%)

 

PART V°] The additions from Cassettes or recent discoveries
Volume 09
A°) Addition from BlueTurns2Grey's tape transfers

Comment: (artwork)

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